Sand City’s scrappy arts revolution Today Us News


Sand City sits just two miles from the Monterey Bay Aquarium, yet until this month, visitors couldn’t spend the night in town. For decades, this half-square-mile town wedged between Costco and Highway 1 has been hiding in plain sight — a warehouse district turned open-air art gallery, where murals climb concrete walls and sculptors work in spaces that once stored industrial equipment.

Now Sand City has its first hotel, and the timing feels less like coincidence than coronation.

From warehouse to gallery

The anamorphic art piece created by Leon Keer + Massina (Marije Spelbos) as part of Sand City's we.Mural Festival on Redwood Avenue in Sand City. (Herald file)
The anamorphic art piece on Redwood Avenue in Sand City was created by Leon Keer + Massina (Marije Spelbos) as part of Sand City’s we.Mural Festival. (Monterey Herald file) 

The West End arts district emerged in the late 1960s and ’70s along Ortiz Avenue and Hickory Street, when artists seeking affordable space and the freedom to work at odd hours without complaint began converting warehouses into live-work studios. What started as informal block parties and jam sessions evolved into the West End Celebration, now entering its third decade.

Each August, six blocks close to traffic and transform into a pedestrian gallery. Live music fills multiple stages. Over 170 artists and vendors line the streets. Studios that usually operate by appointment throw open their doors.

The story begins with economics and ends with intention. When commercial businesses fled for cheaper rents in the 1990s, they left behind empty warehouses with high ceilings and loading docks — spaces that artists priced out of Carmel, Pacific Grove and Big Sur found irresistible. The city responded with flexible zoning encouraging what officials called “creative rehabilitation.”

The walls speak

Sand City has numerous murals and other public art pieces throughout the city mainly due to the mural festival that will be held again for the fourth year and helmed by a new curator, Talking Walls out of San Francisco. (James Herrera/Monterey Herald)
During Sand City’s first we.Mural festival in 2020, Hiero Veiga and Thomas “Detour” Evans created a mural of Jimi Hendrix based on photographs of his performance at the 1967 Monterey Pop Festival. Thanks to that annual event, the small city now has numerous public artworks. (James Herrera/Monterey Herald) 

Since 2020, the annual we.Mural Festival has added over 50 large-scale murals throughout the city. International artists from Amsterdam, Nepal and Australia paint alongside locals, transforming concrete facades into an open-air gallery visible from the freeway. A Jimi Hendrix portrait, painted from photographs of his 1967 Monterey Pop Festival performance, watches over Ortiz Avenue. The concentration of public art is remarkable for a town of just over 300 residents.

Walking Sand City on a quiet afternoon reveals its layered identity: quirky flower-covered cottages wedged between warehouses, the Art Park where muralists gather during festival week, the entrance adorned with a triple image of the Sand City Kitty — the community’s unofficial mascot, wearing an artist’s beret. Cross Del Monte Boulevard, and dune trails lead to Monterey State Beach where a look to the left rewards you with Pacific views sweeping toward the aquarium.

A jogger is silhouetted by the setting sun at Monterey State Beach in Monterey, Calif., on Saturday, March 9, 2024. (Doug Duran/Bay Area News Group)
A jogger is silhouetted by the setting sun at Monterey State Beach in Monterey on March 9, 2024. (Doug Duran/Bay Area News Group) 

A stage for the city

The newly opened Courtyard by Marriott and Residence Inn Sand City Monterey isn’t just filling a lodging gap — it’s adding another venue to the ecosystem.




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